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Open Gardens Festival
During the Festival our wishes come true... we find the gates to the enchanted, secret gardens open. Their residents they tell the stories of the old houses and gardens to visitors from afar and from across the street. Local artists enliven the quiet, historic places music and art. Visitors who wander through our garden-towns during the Festival days experience their history and natural beauty and glimpse their contemporary life. The Open Gardens Festival in 2008 is inspired by the European Year of Intercultural Dialogue and organized by several towns as part of the European Heritage Days under the honorary patronage of the Polish Minister of Culture. The Open Gardens Festival was given a patronage by UNESCO and INTBAU and the Polish National centre for Research and Documentation of Monuments.
The "Open Gardens" organisers see this program as an awareness campaign that could spark similar efforts across Poland. The program is carried out by a network of local governments, NGOs, freelance professionals and volunteers, and is coordinated by "Open Gardens" organisers. Further information
For more details, contacts and a detailed program for the Open Gardens Festival, see the website www.otwarteogrody.pl
Original Green Workshop
"Sustainability" and "Green Building" are terms that are used today to sell almost everything. But when a term can mean everything, does it really mean anything anymore?
The Original Green is a plain-spoken, common-sense set of principles that redefine sustainability to mean what it originally did: "things you can keep going for a very long time."
The Original Green Workshop focuses first on sustainable places, which must be nourishing, accessible, serviceable, and secure.
Once a place is sustainable, then it makes sense to discuss sustainable buildings, which must first be lovable, then durable, flexible, and frugal. Today, almost all green building discussion focuses only on building frugally. This workshop will dramatically expand your focus.
Further information
Workshop information and registration
ICA&CA Intensive Professional Program
"Let your drawing be like a good deed in a naughty world” - Harold Van Buren Magonigle
Program Overview
Right, The Allegory of Classical Architecture by John Woodrow Kelly.
We believe that participants completing this program will not only learn to draw better, they will develop a better working knowledge of the elements comprising the classical vocabulary---as the act of drawing encourages close study and promotes understanding. Program participants will explore a wide range of drawing techniques and materials including traditional wash rendering, pen and ink, architectural watercolor sketching, and cast drawing.
Lastly, to further advance the practice of drawing as essential to the continued professional development of young architects working within the classical tradition , drawing program participants* are eligible to apply for the Zivkovic Connolly Drawing Prize and its attendant cash award by submitting art work (graphic representation of architecture) completed during residency in the program.
Faculty
The teaching faculty on the ICA&CA's Intensive Professional Program in Classical Representation will be Christine G.H. Franck, Architect; Michael Grimaldi, Fine Artist and Drawing Atelier Head, Art Students League; Stephen Harby, Architect and Watercolorist; Andre Junget, Architectural Render; John Woodrow Kelley, Architect and Fine Artist; Edward Schmidt, Fine Artist and Head of Drawing, New York Academy of Art; Andy Taylor, AIA, Architect; and Geoffrey Taylor, PhD, Architectural Historian, MET.
* Prize candidates must be practicing architects having obtained an architectural degree within the last ten years*.
Further information
For further information about the program, to learn about scholarship opportunities or to register please contact
Leah Aron
Alexander Creswell's Watercolour Painting Course
Only a few places still available!
The structure of the course will be fairly intense, and will include the use of sketch-books, instruction in perspective drawing and observation, colour theory and exercises, the study of light and shading, together with disciplines of constructing a watercolour both on-site and in the studio. Participants will touch on exercises in speed drawing, architectural accuracy and even urban mapping. There will be illustrated evening talks on watercolour, on Baroque architecture & Classicism, and on the colourful history of Sicily.
The course will be based for 8 nights at a charming agriturismo in a lemon grove near Siracusa which belongs to Baron Pietro Beneventano. There are 10 rooms so numbers are limited. The accommodation is simple but comfortable with all the required facilities, the food is very good and there is a swimming pool. It is within easy reach of some exceptional Baroque towns, the charms of Siracusa and its classical sites, the Hyblaean highlands and the hectic city of Catania at the foot of Mount Etna, all of which the tour will visit on day trips. There will be lunches with Princess Borghese in her beautiful 'English' garden at Lentini and picnics in the hills, painting in Palazzo Biscari in Catania, and a formal dinner in Palazzo Beneventano in Siracusa, where participants will also see Baron Beneventano's remarkable drawings collection.
The course is timed to avoid school half-term dates and to benefit from a great season in Sicily when temperatures are comfortable and the light is good.
Costs
The cost of the course will be £1,990 per person sharing a double/twin room (single occupancy will cost more). This cost includes:
Creswell will be asking for a deposit of 50% on signing up for this course. This deposit will be returnable in any reasonable and unavoidable circumstance.
Participants will be expected to:
A recommended list of equipment will be provided, which you will need to bring with you (colours, pencils, water bottles, painting stool etc etc).
Creswell is organising this himself with the help of Prince Antonio Baucina and his company Lanza Baucina. As he is not a tour operator, he cannot accept responsibility for things which go wrong beyond his direct control. However he will of course endeavour to avoid, as far as he is able, such things happening in the first place.
Interested?
While every effort will be made to make sure nothing alters, circumstances beyond my control may result in changes in the timetable and in the stated budget. If this happens you will be the first to know. It is advisable to book your flights early as prices increase over time.
Further information
Alexander Creswell
Ecomaterials in Social Housing Projects, Cuba
The Building and Social Housing Foundation is organising a six-day study visit to the above project, winner of the 2007 World Habitat Award.
What is 'Ecomaterials in Social Housing Projects'?
This project has developed and transferred a range of innovative and environmentally sustainable building materials which can be manufactured locally in small workshops, thereby reducing energy and transportation costs and creating employment.
Access to low-cost credit ensures that the materials are affordable and over 5,000 homes have been built or improved to date in Cuba. The technologies developed by CIDEM have also been transferred worldwide, with ecomaterials workshops operational in many Latin American countries as well as in Mozambique, Namibia and Nigeria.
Purpose of the visit
The purpose of the visit is to provide an in-depth understanding of the practical techniques, training methods and project management approaches used in the project. Intensive site visits will form a major part of the study visit, providing an opportunity to study all aspects of the project and to meet those responsible for its success.
Bursaries are provided by BSHF to help meet the travel and accommodation costs of those selected to take part in the international study visit. Please note that all applications should reach BSHF by Friday 1st August 2008.
Further information
Diane Diacon
Smart Code Workshop
Enhancing the livability and lovability of our communities begins here. With equal parts theory and mechanics, the SmartCode Workshop is your gateway to the future of American land planning, delivering all the tools you need for successful implementation at the local level.
Through a variety of interactive sessions with Andrés Duany, the code’s principal author, and a host of accomplished practitioners, participants are guided page by page through the SmartCode, exploring the theory, scales and elements of transect planning. Public works standards integrating well-designed places are discussed in detail, and a solid half-day is devoted to a hands-on calibration exercise.
Receiving additional focus are the power of onsite education, Visual Preference Surveys, and GIS modeling to influence political persuasion. In-depth panel sessions address economic incentives, administration techniques and legal precedent. Finally, evaluation of actual SmartCode projects follows the adoption process and demonstrates, beyond just theory, the proven best practices behind successful outcomes.
The SmartCode v9.2 is available for free download at Smart Code Central. The comprehensive SmartCode Version 9 and Manual, a fully illustrated and annotated 250-page calibrator's guide, is available for purchase. The Manual offers a concise introduction, a complete annotated code text, a series of supplementary Modules, also annotated, and an extended Appendix with sample plans, step-by-step procedures, illustrations, historical commentary, checklists, and resources. Contact New Urban News Publications to place an order.
Equal parts theory and mechanics, the SmartCode Workshop delivers all the tools you need for successful local implementation of the SmartCode, an increasingly influential form-based solution to community land planning. Examine it line by line, and discuss its current implementation and results. Empower your efforts through the collective wisdom of Andrés Duany and leading practitioner presenters:
Proceed to online registration and further information.
Further information
Hazel Borys
Sixteenth International Course on Stone Conservation (SC09)
Applications must be received by ICCROM by 14 September 2008 to ensure inclusion in the selection process.
Background
In many regions of the world stone has been the predominant material used for building and artistic purposes. The conservation and maintenance of architectural and decorative stone is a core activity in such regions. Factors such as climate change, pollution, use demands, lack of maintenance, and inappropriate past treatments are challenges for the conservation of stone buildings, structures and objects. The decline in traditional building techniques, craft practices and repair methods is also threatening our ability to sustain stone structures and objects into the future. These conservation issues require a multidisciplinary approach that involves professionals, craftspeople, policy makers and owners.
The International Course on Stone Conservation was created in 1976 by ICCROM, UNESCO, and the Soprintendenza per i Beni Artistici e Storici di Venezia to address these issues. Following the successful implementation of 15 courses from 1976 to 2003, a period of review and evaluation was carried out to ensure the course would continue to meet the needs of conservation professionals in the field. The course is now being relaunched to reflect recent advances in practice, science, and technology, including the integration of practical methodologies for stone conservation.
Objectives and programme
The course adopts a collaborative and multidisciplinary approach and is designed for professionals involved in the conservation of historic stone structures and artifacts. The primary goal of the course is to improve the practice of stone conservation internationally. This goal will be achieved through providing participants with a holistic understanding of the decay and deterioration of stone, disseminating effective conservation methodologies, and ensuring a practical understanding of appropriate repair methods and long-term management strategies. Through lectures, discussions, laboratory sessions, demonstrations, site visits and field exercises, participants will discuss and engage in current state of the art methodologies as they pertain to all phases of stone conservation. Group fieldwork exercises at a worksite will provide participants with the opportunity to address actual work scenarios where multidisciplinary solutions and collaboration are required. Throughout the course, participants will be encouraged to draw upon their collective expertise from various specializations to help them arrive at more effective conservation solutions.
The course will be divided into six main units over eleven weeks. These units will include topics such as:
The course may include a preparatory phase prior to arrival in Venice. This preparatory phase would be comprised of assigned readings which would prepare participants with some common base knowledge and an opportunity to familiarize themselves with some of the key literature that will be used throughout the course. The preparatory phase would be conducted in participants’ home countries.
During the course, participants will be expected to play an active role through contributing to discussions, exercises, and presentations reflecting their own professional experience.
Participants
The course is designed for a maximum of 20 participants. The course is open to archaeologists, architects, conservator-restorers, conservation scientists, engineers and other professionals involved in stone conservation, preferably with at least five years of practical working experience in the field.
Preference will be given to heritage conservation professionals in the public sector, trainers of conservation professionals, and those in a position to disseminate the knowledge gained during the course with a wider audience. The selected participants will be comprised of international conservation professionals as well as Italian university graduates and Superintendence officers working in the field of heritage conservation.
Partners
Teaching team
Teaching staff will be composed of an international group of recognized heritage conservation professionals who will represent a diverse array of perspectives based on their specialized expertise and their regional contexts.
Language
The course will be conducted in English. Candidates must have a thorough technical knowledge and command of English. A certificate of language proficiency is required.
Certificate
A certificate of attendance will be awarded to participants who satisfactorily complete the course and have attended at least 90% of all course activities.
Course fee: 1,300 Euro
Travel, accommodation and living expenses
Participants will be responsible for their round trip travel costs to and from Venice. In order to cover accommodation and living expenses in Venice during the course, participants should plan for a minimum allowance of € 3,850 for the entire period.
Candidates are strongly encouraged to seek financial support from sources such as governmental institutions, employers and funding agencies. The course organizers may be able to offer a limited number of scholarships to selected candidates who have been unable to secure funding.
Further information and application
Please fill out the ICCROM application form and send it together with a full professional Curriculum Vitae (in English) to the contact address below. Email applications are welcome. In the event that it is not possible to provide a scanned version of the necessary photographs and signatures, it will also be necessary to send a paper copy.
Stone Course 09
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